• Color, Closed-captioned, Widescreen, Dolby
• Commentary by director and writer
• Production notes
• Making of featurette
• The Dancer and the Cowboy featurette
• Deleted scenes with optional commentary
• Widescreen anamorphic format

The good news is, yes, Jennifer Lopez can do comedy. In The Wedding Planner Lopez is Mary, a lovable woman who believes "those who can't do, teach. Those who can't wed, plan!" Her slapstick moments are lighthearted and she is spot-on as the controlling, compulsive-yet-sweet planner. The bad news is Lopez didn't get much of a vehicle in which to test drive her newfound comedic skills.

• Color, Widescreen, Closed-captioned, Dolby
• Commentary by director Luis Mandoki
• Widescreen anamorphic format

Angel Eyes is a mature and levelheaded drama about real people with authentic emotions, clawing through their own hurt and confusion toward a hopeful recovery. In a subtly effective performance as Chicago cop Sharon Pogue, Jennifer Lopez is both gutsy and vulnerable, using her badge as a shield against a past incident of domestic violence that left her estranged from her family and alone with her conviction that good deeds are not always rewarded.

• Color, Closed-captioned, Widescreen, Dolby
• Commentary by director Steven Soderbergh and writer Scott Frank
• Production notes
• Theatrical trailer(s)
• "Inside Out of Sight", an original documentary on the making of the movie featuring behind-the-scenes footage and interviews with Steven Soderbergh, George Clooney, Jennifer Lopez, Albert Brooks, Don Cheadle, Ving Rhames, Steve Zahn, Elmore Leonard and Scott Frank
• Deleted scenes
• Music highlights section
• Production photographs
• Widescreen anamorphic format

George Clooney comes into his own as a leading man in the role of inveterate bank robber Jack Foley. Incarcerated, he uses another inmate's prison break as a cover for his own escape. Waiting for him, according to plan, is his partner, Buddy (Ving Rhames). Also waiting for him, not according to plan, is federal agent Karen Sisco (the ravishing Jennifer Lopez). She finds herself disarmed in more ways than one when she is deposited in the getaway car's trunk with Jack. But that doesn't stop her from joining the task force created to capture him, while he plans "one last heist."

• Color, Closed-captioned, Dolby, Widescreen
• Production notes
• Full-screen and widescreen anamorphic formats

Glossy, congenially corny biography of the spirited young Tejano singer whose dreams of showbiz fame were cut short by her murder (just as she was about to win success as a cross-over performer). Lopez offers a dynamic, star-making turn as Selena and Olmos also scores as her loving but possessive father. Ironically, the film does more to solidify Selena's celebrity than she was able to accomplish in her short lifetime.

• Color, Closed-captioned, Widescreen, Dolby
• Commentary by director Tarsem Singh
• Examination of the film's special effects, production design, make-up and costumes
• A profile of the director by his production team
• Deleted scenes
• Brain map and empathy test
• Widescreen anamorphic format

Schizoid serial killer Carl Stargher (Vincent D'Onofrio) has been captured at last, but a neurological seizure has rendered him comatose, and FBI agent Peter Novak (Vince Vaughan) has no way to determine the location of Stargher's latest and still-living victim. To probe the secrets contained in Stargher's traumatized psyche, the FBI recruits psychologist Catherine Deane (Jennifer Lopez), who has mastered a new technology that allows her to enter the mind of another person. What she finds in Stargher's head is a theater of the grotesque, which, as envisioned by first-time director Tarsem Singh, is a smorgasbord of the surreal that borrows liberally from the Brothers Quay, Czech animator Jan Svankmajer, Hieronymous Bosch, Salvador Dali, and a surplus of other cannibalized sources.

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